8 February 2012

Experiments with a goat



These goats started off as a linocut, but when I printed it it didn't look finished. I liked the way the beard and horns balanced each other in an S shape though so didn't want to scrap it completely. I thought about doing a monotype background, but wanted a more unified image than two separate layers (monotype then linocut), so instead I combined the two by printing the lino onto the plastic plate, using brushes to alter it and add other textures, and then hand printing the ink from the plate onto damp paper.

These are only my first attempts, but it's worked very well so far. I wouldn't have been able to make such a detailed image with monotype alone, and it's made some interesting marks and textures that wouldn't have been possible with either medium used separately. It also means that each print is different, which I like.

4 comments:

  1. Hi jane,
    these are fantastic!! Beautiful textures and marks.
    I've been trying the same thing out with the lino/mono combo. It's so much fun! :)

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    1. Thanks Julie. Mono/lino is great isn't it! Each one is different but you don't have to start all over again. And you can get the most out of the image by trying different things with it.
      I'll go and have a look at what you've been up to.
      :-)

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  2. What a great idea, the marks you have created are beautiful, and have so much more movement. Thank you for sharing this, I want to have a go!

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    1. Hi Wendy, thanks for the comment. Go for it! It's very addictive, I keep trying 'just one more' as it's so easy to print the linocut again.

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